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I (Am)nev er real ly knew that she could (F)dance like this.
She make a man wan na (Em)speak Span ish.
Co mo si lla ma, bo ni ta, mi ca sa, su ca sa.
Oh, ba by when you (F)talk like that you make a (Em)wom an go mad.
So be wise and keep on read ing the signs of my bod y.
I’m (Dm)on to night, you know my (G)hips don’t lie and I’m (Em)start ing to feel it’s right.
All the at trac tion, the at ten tion, don’t you see ba by this is per fec tion.
Hey girl, I can see your bod y mov ing and it’s driv ing me cra zy.
And I didn’t have the slight est i dea un til I saw you danc ing.
And when you walk up on the dance floor no bod y could not ig nore the way you move your bod y, girl.
And ev ’ry thing so un ex pect ed, the way your right and left it so you could keep on shak ing it.
I’m (Dm)on to night, you know my (G)hips don’t lie and I’m (Em)start ing to feel it’s right.
All the at trac tion, the at ten tion, don’t you see ba by this is per fec tion.
This page shows “Hips Don't Lie” by Shakira in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 100 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build your left-hand independence with an oompah bass pattern — your left hand alternates between a low root note and a higher chord chunk, giving the piece that bouncy Latin pulse at 100 BPM. You're working with five chords (Am, Dm, Em, F, and G), and the trickiest transition is usually Am to Dm, where your hand needs to shift quickly without losing that steady bass rhythm. Start hands-separate: get the left-hand oompah feeling automatic before adding the melody on top. Once you combine hands, slow it down to around 70 BPM and loop the Am–Dm–G–Em sections until the chord changes feel effortless, then gradually bring it up to tempo. Watch out for rushing during the energetic sections — keep your pulse locked in. This is the piece that'll make oompah patterns second nature for you, and that skill transfers to dozens of Latin and pop songs ahead.