(Eb)Land
of our fa thers, we will (Bb)al
ways (Eb)be
in this (Cm7)faith
ful and (Bb7sus)loy al to our (Fsus)own
(F)coun (Bb)try.
(Ab)In
times of (Eb)dan ger, we will (Bb)set
(Bdim7)you (Cm7)free,
(Ab)lead
you to (Eb)glo ry and to (Bb)vic
to (Eb)ry.
(Eb)Hail,
Cal e do nia, to our (Bb)an
cient (Eb)be
in this (Cm7)High
land Ca (Bb7sus)the dral, let our (Fsus)stan
(F)dards (Bb)bear.
(Ab)Join
ing to (Eb)geth er with one (Bb)dream
(Bdim7)to (Cm7)share,
(Ab)God
bless the (Eb)peo ple of this (Bb)land
so (Eb)fair.
(Eb)fair.
(Bb)Gone
is the (F)past;
let us (Gm)start
a (Bb7)new.
Let this (Eb)hope
of (F7)peace
(Bb)al
ways re (F7)main.
(Bb)Spir
it of (F)Sco
tia, be (Gm)strong
and (Bb7)true.
Then your (Eb)chil
dren will (F7)smile
a (Bb)gain,
a (Bb)gain,
a (Gm7)gain,
a (Bb7)gain.
(Eb)sing.
This page shows βHighland Cathedralβ by Michael Korb in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 80 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement sits in Ab major with four flats, so before anything else, get your hands comfortable on those black keys β let your fingers naturally settle into the Ab scale shape, because fighting it will slow you down all night. Your left hand drives a steady oompah bass pattern, alternating a low root note with a mid-range chord hit, and at 80 BPM that's spacious enough to feel elegant but tight enough that sloppy timing will stick out, so practise the left hand alone with a metronome until it feels automatic. Watch the Bdim7 and Fsus4 chords especially β they pop up as passing colors and the fingering can surprise you mid-phrase if you haven't mapped them out in advance. The move from Fsus4 into F7 and then resolving to Bb is a moment worth looping ten times slowly; once it's in your muscle memory the whole B section will click. Keep your pedal changes crisp on every bass note swap to avoid muddiness in that low Ab register. Start hands-separate, nail the left-hand pattern, then layer the melodic right hand on top β the vocal-style melody needs to sing above everything, so voice it with a bit more weight in your pinky and ring finger on those top notes. This is a fantastic piece for building confidence with richly chromatic chord progressions in a flat key, and once you own it, tunes in Db and Eb will feel far less intimidating.