He’s a man with a plan, got a count er feit dol lar in his hand.
(G)He’s
tra (C)Know It All.
Play in’ hard, talk in’ fast, mak in’ sure that he won’t be the last.
(G)He’s
tra (C)Know It All.
Makes a deal with a smile, know in’ all the con time that his lie’s a mile.
(G)He’s
tra (C)Know It All.
Must be seen, there’s no doubt.
He’s the cool est one with the big gest mouth.
(G)He’s
tra (C)Know It All.
(G)If you tell him he’s liv in’ fast, he’ll (D)he you will say what do you know.
and (D)If you had my kind of cash you’d you have more than one place to go.
(A7)Oh Oh Oou Oou (C)Oou oou oou
An y place he will play.
His in’ on ly con cern is how much you’ll pay.
(G)He’s
tra (C)Know It All.
If he shakes on a bet, he’s the kind of dude that won’t pay his debt.
(G)He’s
tra (C)Know It All.
(G)When you say that he’s liv in’ wrong, he’ll (D)tell you he knows he’s liv in’ right, and (D)you’d you be a strong er man if you took Miss tra It All’s ad vice.
(A7)Oh Oh Oou Oou (C)Oou oou oou
An y place
He’s the man with a plan, got a count er feit dol lar in his hand.
(G)He’s
tra (C)Know It All.
Take my word.
Please be ware of a man that just don’t lar give a care.
(G)He’s
tra (C)Know It All.
Take my word.
Please be ware of a man
Dum bum bum ba bum bum.
Dum bum bum ba bum bum (G6)bum bum bum bum bum, say: (G)He’s
tra (C)Know It All.
(G)He’s
tra (C)Know It All.
(G)He’s
tra (C)Know It (G)All.
This page shows “He's Misstra Know It All” by Stevie Wonder in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a fantastic workout for navigating chromatic chord movement — your left hand holds a pedal bass pattern, which simplifies things below, but your right hand needs to handle eleven different chord shapes including some jazzy voicings like Am7, Cm6, and G7 that require precise finger placement. At 120 BPM the tempo is moderate, but the real challenge is the transition between G6 and Cm6 — that chromatic slide catches almost everyone off guard the first few times, so isolate that two-chord shift and loop it slowly until your fingers find the shape without looking. I'd recommend learning hands separately first, locking in that steady pedal bass until it's automatic, then layering the right hand on top. Watch out for the move from C major to Cm as well; it's just one note changing but rushing it will blur the color difference that gives the song its playful, soulful character. Nail these minor-major pivots and you'll build real confidence with chromatic harmony that transfers to dozens of R&B and soul tunes down the road.