(Fmaj7)Here I (C)am,
(Em7)play ing with those (Am)mem ’ries a (Em7)gain;
and (A)just when I thought time had set me (Dm)free,
those thoughts of you keep taunt ing me.
Hold ing (C)you;
a (Am)feel ing make I nev er it out (Em7)grew,
I’ve though (A)each and ev ’ry part of me has tried.
(Dm7)On ly you can fill that space in side.
So, there’s (G)no sense pre tend ing, my miss heart ’ry is not mend ing.
(C)Just when I thought I was (Dm)o ver you,
and (C)just when I thought I could stand on my own, oh, ba by, those mem ’ries come crash ing through; and I just (Am)can’t
go (Dm7)on (Em7)with (Fmaj7)out
(C)you.
On my (C)own,
I’ve (Am)tried to make the best of it a (Em7)lone.
I’ve done (A)ev ’ry thing I can to ease the pain.
(Dm7)On But on ly you can stop the rain.
I just (G)can’t live with out you, I miss ev ’ry thing a bout you.
(C)Just when I thought I was (Dm)o ver you,
and (C)just when I thought I could stand on my own, oh, ba by, those mem ’ries come crash ing through; and I just (Am)can’t
go (Dm7)on (Em7)with (Fmaj7)out
(C)you.
On my (Dm7)on (Em7)with (Fmaj7)out;
go (Dm7)on (Em7)with (Fmaj7)out;
it’s just no (Dm7)good (Em7)with (Fmaj7)out
(Em)you.
when I thought I was o ver you, With out (Am)you.
when I thought I could stand on my own.
With out (Em)you.
when I thought I was o ver you, With out (Am)you.
when I thought I could stand on my own.
With out (C)you.
This page shows “Here I Am” by Air Supply in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 84 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to develop your Alberti bass — your left hand will cycle broken-chord patterns at a gentle 84 BPM, which gives you just enough time to land each shape cleanly before the next change. Pay special attention to the transitions into A7 and E7, since those introduce sharps (C♯ and G♯) that don't appear anywhere else in the key of C; isolate those bars hands-separately until the finger adjustment feels automatic. The move from Fmaj7 to Em7 can also catch you off guard because the top note only shifts by a half step — keep your hand quiet and let just the right fingers move. I'd suggest starting at around 60 BPM, looping the verse progression until your left hand's Alberti pattern feels steady without you watching it, then layer in the melody. Use a little sustain pedal on each chord change to keep the ballad feel warm, but lift cleanly so the melancholic color doesn't blur. This is the piece that'll make minor-key chord flows — Am, Dm, Em and their seventh voicings — feel like second nature under your fingers.