Heav en can wait,
and a band of (C)an gels wrapped up (G)in my heart
will take me through the lone ly night,
through the cold
of the day.
And I know, I (G)know heav en can wait,
and all the gods come down here just to (G)sing for me.
And the mel o dy’s gon na make me fly
with out pain,
with out fear.
Give me all of your (G)dreams and
let me go a long on your way.
Give me all of your (G)prayers to sing and I’ll turn the night in to the sky light of day.
I got a taste of par a dise.
I’m (Eb)nev er gon na (Bb)let it
slip a (F)way.
I got a taste of par a dise.
That’s (Eb)all I real ly need to make me stay,
just like a child a (G)gain.
Heav en can wait,
and all I got is (C)time un til the (G)end of time.
Well, I won’t look back.
I won’t look back.
Let the (A7)al tar (D)shine.
And I know that I’ve been re leased, but I don’t know to where.
No bod y’s gon na tell me now, and I don’t real ly care,
no, no, no.
I got a taste of par a dise.
That’s (Eb)all I real ly need to make me stay.
I got a taste of par a dise.
If I (Eb)had it an y soon er, you know,
you know I (D)nev er would have run a way from my (G)home.
Heav en can wait,
and all I got is (C)time un til the (G)end of time.
Well, I won’t look back.
I won’t look back.
Let the (A7)al tar (D)shine.
Heav en can wait.
Why,
(C)heav en can wait.
Well, I won’t look back, I won’t look back.
Let the (A)al tar (G)shine.
Let the (G)al (D7)tars (G)shine.
This page shows “Heaven Can Wait” by Meat Loaf in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement gives your left hand a real workout with its Alberti bass pattern — keep that rolling motion relaxed and even at 120 BPM, because tension will creep in fast across a full playthrough. Your biggest challenge here is the chord variety: thirteen chords means some unexpected jumps, especially into Bb, Eb, and C#m7, which pull you well outside the home key of G. Isolate those transitions hands-separately and loop them at half tempo until the shapes feel automatic under your fingers. Watch the shift from D or D7 back into those borrowed flat-side chords — that's where most students stumble or hesitate. Use sustain pedal to smooth over legato passages but lift cleanly on chord changes so nothing muddies. Once you've nailed those tricky pivots, the peaceful ballad feel will come naturally, and you'll walk away with much stronger command of chromatic chord movement.