(G)You don’t un der stand, you don’t un der stand, I what you do to me when you hold his hand.
And We were meant to be, but a twist of fate I’m made it so we had to walk a way.
’Cause (G)we’re on fi re, we are on fi re.
(G)We’re on fi re now.
Yeah, (G)we’re on fi re, we are on fi re.
(G)We’re on fi re now.
(CN.C.)I don’t (C)care what peo ple say when we’re to (G)geth er.
You (Bm)know I wan na be the one to (D)hold you when you sleep.
I just (C)want it to be you and I for (G)ev er.
I (Bm)know you wan na leave, so come on (D)ba by be with me so hap pi ly.
It’s (G)four a.
m.
and I that don’t you’re with him.
I won der if he knows that I’ve touched your skin.
And if he feels my tra ces a on your hair.
I’m sor ry, love, but I don’t real ly care.
’Cause (G)we’re on fi re, we are on fi re.
(G)We’re on fi re now.
Yeah, (G)we’re on fi re, we are on fi re.
(G)We’re on fi re now.
(CN.C.)I don’t (C)care what peo ple say when we’re to (G)geth er.
You (Bm)know I wan na be the one to (D)hold you when you sleep.
I just (C)want it to be you and I for (G)ev er.
I (Bm)know you wan na leave, so come on (D)ba by be with me so hap pi ly.
It’s
(CN.C.)I don’t (C)care what peo ple say when we’re to (G)geth er.
You (Bm)know I wan na be the one to (D)hold you when you sleep.
I just (C)want it to be you and I for (G)ev er.
I (Bm)know you wan na leave, so come on (D)ba by be with me so hap pi ly.
This page shows “Happily” by One Direction in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 120 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build confidence with a steady eighth-note right-hand pattern over simple chord shapes in the key of G. You'll mostly be working with G, D, Em, and C — the classic I–V–vi–IV family — so your left hand will settle into a comfortable rotation once you memorize the shape shifts. At 120 BPM the tempo feels brisk, so start at around 80 BPM and focus on making the transition from Em to C smooth; that's where most beginners hesitate because the hand has to shift position slightly. Practice hands separately first, especially the left hand, until the chord changes feel automatic, then layer the right hand in. Once you're comfortable, try looping just the chorus at full speed — it's the most repetitive section and will lock in your timing fastest. Watch out for rushing during the pre-chorus; keep your rhythm even and resist the urge to speed up as the energy builds. By the end of this piece, you'll have that I–V–vi–IV progression so deep in your muscle memory that dozens of other pop songs will feel instantly familiar under your fingers.