(Gmaj7)Dream sweet (Am)dreams for (Gmaj7)me,
(G)dream sweet (C)dreams for (G)you.
(G)Now it's (Bm7)time to (Am7)say good (Cmaj7)night;
(Bm7)Good
(Am7)night,
(C)sleep
(D7)tight.
(G)Now the (Bm7)sun turns (Am7)out his (Cmaj7)light;
(Bm7)Good
(Am7)night,
(C)sleep
(D7)tight.
(Gmaj7)Dream sweet (Am)dreams for (Gmaj7)me.
(G)Dream sweet (C)dreams for (G)you.
(G)Close your (Bm7)eyes and (Am7)I'll close (Cmaj7)mine.
(Bm7)Good
(Am7)night,
(C6)sleep
(D)tight.
(G)Now the (Bm7)moon be (Am7)gins to (Cmaj7)shine,
(Bm7)Good
(Am7)night,
(C6)sleep
(D)tight.
(Gmaj7)Dream sweet (Am)dreams for (Gmaj7)me,
(G)dream sweet (C)dreams for (C)you.
(G)Mm
(A)mm
(G7)mm
Good (D7)night, Good night, ev 'ry (Bm7)bod y,
(Am)Ev 'ry bod y, ev 'ry where,
good (G)night.
This page shows βGood Nightβ by The Beatles in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 80 BPM, a slightly more challenging arrangement β practice each phrase slowly first.
This arrangement is a gorgeous way to expand your chord vocabulary β thirteen chords in one gentle ballad means your hands will quietly absorb shapes like Gmaj7, Am7, Cmaj7, and C6 without the pressure of a fast tempo. Your left hand plays an octave bass pattern, so focus first on landing those octaves cleanly and in rhythm before adding the right hand. The trickiest moments are the shifts between closely related chords β G to Gmaj7 to G7, or Am to Am7 β where only one note changes; isolate those transitions and move slowly until your fingers feel the smallest possible movement. Watch the Dm chord when it appears: it's borrowed from outside the key and can catch you off guard if you're on autopilot. Practice hands-separate at around 60 BPM first, then bring them together. At 80 BPM and this mood, evenness matters more than speed β this is the piece that'll make extended and major-seventh chords feel like home.