(G)Spend my days with a (G6)wom an un kind, smoked my stuff and (G6)drank
(D)all my (D)wine.
(G)Made up my mind, (G6)make a new start, go ing Cal i (Gmaj7)for nia with an (G6)ach ing (D)in my heart.
(G)Some one told me there’s a (G6)girl out there with love in her eyes and (G6)flow ers
in her hair.
(G)Took my chanc es on a (G6)big jet plane, nev er let them (Gmaj7)tell you that they’re (G6)all the same.
Oh, the (G)sea was red and the sky was grey, I won der how to (Gmaj7)mor row could ev er fol (D)low to day.
(G)Moun tains and the (Gmaj7)can yons start to (G6)trem ble and shake, chil dren of the (Gmaj7)sun be gin to a wake.
Watch out.
It (Dm)seems that the wrath of the gods got a punch on the nose, and it’s start ing to flow, I think I might be (A7)sink ing.
(Dm)Throw me a line, if I reach it in time, meet you up there where the path runs straight and (A7)high.
Ah, ah, ah, ah.
Ah, ah, ah, ah.
This page shows “Going To California” by Led Zeppelin in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 152 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build your comfort with suspended and seventh chords — you'll move between Asus4, A7, Dm7, and Gmaj7, which means your right hand needs to stay relaxed and ready to shift just one or two fingers at a time rather than rebuilding entire shapes. Pay special attention to the Dm-to-Gmaj7 transitions; that jump can catch you off guard at 152 BPM, so isolate those two bars and loop them slowly until the motion feels automatic. Your left hand holds down an octave bass pattern throughout, which sounds simple but demands steady timing while your right hand handles the chord color changes — practice hands separately first, then combine at half tempo. Watch the shifts into G6 as well; students often land on the wrong voicing because it sits so close to Gmaj7. Once these moves are smooth, you'll find suspended and seventh chords show up everywhere in rock ballads, so this piece genuinely levels up your chord vocabulary for dozens of future songs.