(F)Mel o dies
bring (A7)mem o ries
that (D7)lin ger (D)in (D7)my (G9)heart,
(F)Make me think
(A)of (A7)Geor (Dm)gia,
why (G7)did we
(Edim7)ev (C13)er (F)part?
(F)Some sweet day
when (A7)blos soms fall
and (D7)all the (D)world’s (D7)a (G9)song,
(F)I’ll go back
(A)to (A7)Geor (Dm)gia
’cause (G7)that’s where
(Edim7)I (C13)be (F)long.
(F)Geor gia,
(A7)Geor gia,
the whole day (Gm)through.
(Bbm)Just an (F)old sweet (E7)song keeps (Gm)Geor gia
(G9)on (C7)my (F)mind.
(Gm7)(Geor gia on my (C)mind.)
(F)Geor gia,
(A7)Geor gia,
a song of (Gm)you
(Bbm)comes as (F)sweet and (E7)clear as (Gm)moon light (G9)through (C13)the (F)pines.
(Dm)Oth er arms
reach (Dm)out to me;
(Dm)Oth er eyes
smile (Dm7)ten der ly;
(Dm)Still in peace
ful (Dm7)dreams I see
the (Am)road leads (F#dim)back (Fm6)to (Dm)you.
(F)Geor gia,
(A7)Geor gia,
no peace I (Gm)find.
(Bbm)Just an (F)old sweet (E7)song keeps (Gm)Geor gia (G9)on (C13)my (F)mind.
(F)Geor gia,
(A7)Geor gia,
the whole day (Gm)through.
(Bbm)Just an (F)old sweet (E7)song keeps (Gm)Geor gia
(G9)on (C7)my (F)mind.
(Gm7)(Geor gia on my (C)mind.)
(F)Geor gia,
(A7)Geor gia,
a song of (Gm)you
(Bbm)comes as (F)sweet and (E7)clear as (Gm)moon light (G9)through (C13)the (F)pines.
(Dm)Oth er arms
reach (Dm)out to me;
(Dm)Oth er eyes
smile (Dm7)ten der ly;
(Dm)Still in peace
ful (Dm7)dreams I see
the (Am)road leads (F#dim)back (Fm6)to (Dm)you.
(F)Geor gia,
(A7)Geor gia,
no peace I (Gm)find.
(Bbm)Just an (F)old sweet (E7)song keeps (Gm)Geor gia (G9)on (C13)my (F)mind.
(F)mind.
This page shows “Georgia On My Mind” by Ray Charles in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 68 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement will stretch your chord vocabulary like few other pieces at this level — twenty-three distinct chords means your left hand is constantly reshaping, so start hands-separate and really drill those changes before adding the melody. Pay special attention to the diminished transitions: the Edim7 and F#dim chords act as chromatic passing shapes, and fumbling them will break the song's smooth, melancholic flow. At 68 BPM you might think speed isn't an issue, but a slow ballad exposes every hesitation, so use the slow-tempo mode to lock in tricky spots like the movement from Gm through Gm6 into Edim7 — loop that passage until it feels automatic. Keep your sustain pedal changes clean; with extended chords like Eb9 and G9, muddy pedaling turns rich harmony into mush. Lift and re-press on each chord change. This is the piece that'll build your confidence with jazz-influenced voicings and make complex progressions feel natural under your hands.