Woke up a lone in this (Cm)ho tel room.
(Eb)Played with my (Db)self, where are you?
Fell back to sleep, I got (Cm)drunk by noon.
(Eb)I’ve nev er (Db)felt less cool.
We have n’t (Bbm7)spoke ten, it’s all you went a way.
Com f’ta ble (Bbm7)si lence is (Ab)so o (Ab)ver rat ed.
Why don’t you (Bbm7)ev er be the (Ab)first one (Ab)to break?
E ven my (Db)phone
miss es your call
by the way.
I saw your friend that you (Cm)know from work,
(Eb)he said you (Db)feel just fine.
you?
I see you gave him my (Cm)old t shirt,
(Eb)more of what (Db)was once mine.
I see it’s (Bbm7)writ ten, since all o ver his face.
Com f’ta ble (Bbm7)si lence is (Ab)so o (Ab)ver rat ed.
Why won’t you (Bbm7)ev er say what (Ab)you want (Ab)to say?
E ven my (Db)phone
miss es your call
by the way.
by the way.
May be one day you’ll call me and tell me (Ab)that you’re sor ry (Eb)too.
May be one day you’ll call me and tell me (Ab)that you’re sor ry (Eb)too.
May be one day you’ll call me and tell me (Ab)that you’re sor ry (Eb)too.
But (Db)you,
you nev er (Cm)do.
(Eb)We have n’t (Bbm7)spoke since (Ab)you went (Ab)a way.
Com f’ta ble (Bbm7)si lence is (Ab)so o (Ab)ver rat ed.
Why won’t you (Bbm7)ev er say what (Ab)you want (Ab)to say?
E ven my (Db)phone
miss es your call
by the way.
This page shows “From The Dining Table” by Harry Styles in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 94 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in A♭ major at a gentle 94 BPM, which gives you room to breathe — but that walking bass pattern in your left hand is where the real challenge lives. You'll need to keep those bass notes steady and even while your right hand voices six chords, including a B♭m7 that asks you to stretch a bit and a C power chord that changes the color unexpectedly. Watch the transition from D♭ to E♭ especially — it's easy to rush that move and land late on the downbeat. I'd suggest learning the left-hand walking line alone first, getting it so automatic you don't think about it, then layering the right hand on top at around 70 BPM before bringing it up to tempo. Use sustained pedal through each chord change but lift cleanly on the transitions so the bass doesn't blur. This is the piece that will train your hands to truly operate independently — once you own that walking bass, you'll carry it into everything you play next.