From a (G)dis tance, the (C)world look looks blue
and green,
and the (C)snow capped (D)moun
tains (G)white.
From a (G)dis tance, the (C)o cean (C)meets
the stream, (G)es, and the (C)ea gle (D)takes ing to (G)flight.
(G)From a (Cmaj7)dis tance there is har mo ny,
and it (C)ech oes through
the land.
It’s the (C)voice of (G)hope,
it’s the (C)voice of (G)peace.
It’s the (C)voice of (D)ev
’ry (G)man.
From a (G)dis tance, we (C)world look all like
e nough,
and ven (C)no one (D)is
in (G)need.
There are (G)no guns, no (C)bombs can (C)and
dis eas (G)es, no the (C)hun gry (D)mouths ing to (G)feed.
(G)From a (Cmaj7)dis tance, we is are stru ments
march ing (C)in a com
mon band,
play ing (C)songs of (G)hope,
play ing (C)songs of (G)peace.
They’re the (C)songs of (D)ev
’ry (G)man.
From a (G)man.
(G)God is (G)watch (C6)ing us.
God is (D7)watch (G)ing (D)us.
(Em7)God is (Am7)watch ing us
from a (G)dis tance.
From a (C)heart of ev
’ry (D)man.
(Bm)It’s the (C)hope of (G)hopes,
it’s the (C)love of (G)loves.
This is the (C)song of (D7)ev
’ry (G)man.
And (G)God is (G)watch (C6)ing us.
God is (D7)watch (G)ing (D)us.
(Em7)God is (Am7)watch ing us
(D)from a (G)dis tance.
Oh, (G)God is (G)watch (C6)ing us.
God is (D7)watch (G)ing (D)us.
(Em7)God is (Am7)watch ing us
(D)from a (G)dis tance.
Oh, (G)God is (Am7)watch ing us
from a dis tance.
This page shows “From A Distance” by Bette Midler in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 68 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a lovely way to practice smooth chord transitions in the key of G at a gentle 68 BPM, which gives you plenty of breathing room. Your left hand plays block chords, so focus on learning the shapes for all eleven chords first — the trickiest shifts will be moving between C6, Cmaj7, and Am7, where only one or two fingers change position. Drill those transitions hands-separate until they feel automatic. Your right hand carries a flowing melodic line, so aim for an even, singing tone throughout. Watch the move from G into Bm and Em7 — those minor shapes can catch you off guard if you haven't memorized the fingering. I'd suggest looping the verse section slowly before connecting it to the chorus. Use light sustain pedal, changing with each new chord to keep things clear, not muddy. This is the piece that will really solidify your confidence with diatonic chord families in G — once these shapes are under your fingers, dozens of pop ballads will feel familiar.