This page shows “Für Elise” by Ludwig van Beethoven in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 108 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement gives you a wonderful workout in coordinating a steady left-hand oompah pattern — bass note, then chord, bass note, then chord — against a flowing right-hand melody. At 108 BPM it moves briskly, so start at half speed and get your left hand on autopilot before adding the right. The biggest stumbling point is usually the transitions between chord shapes in your left hand; when the bass note jumps, your fingers want to hesitate, which throws off the rhythm. Practice those chord changes in isolation until they feel automatic. In your right hand, pay attention to keeping the melody smooth and connected — lift each finger only as the next one plays. Once both hands are comfortable separately, combine them in short two-bar phrases rather than trying to run the whole piece. The oompah pattern you're building here is one of the most common left-hand accompaniment styles in piano music, so every minute you spend locking it in will pay off in dozens of future songs.