Be fore I bring my need, I will (G)bring my heart.
Be fore I lift my cares, I will (G)lift my arms.
I wan na know You, I wan na find You in ev βry sea son, in ev βry mo ment.
Be fore I bring my need, I will (G)bring my heart
and (F6)seek You (Am)first.
I wan na seek You, I wan na seek You (Am)first.
I wan na keep You, I wan na keep You (Am)first.
(C)More than an y thing I want, I want You (Am)first.
Be fore I speak a word, let me (G)hear Your voice.
And in the midst of pain, let me (G)feel Your joy.
I wan na know You, I wan na find You in ev βry sea son, in ev βry mo ment.
Be fore I speak a word, I will (G)bring my heart
and (F6)seek You (Am)first.
I wan na seek You, I wan na seek You (Am)first.
I wan na keep You, I wan na keep You (Am)first.
(C)More than an y thing I want, I want You (Am)first.
You are my (Am)treas ure and (Csus)my
re ward.
Let noth ing (Am)ev er
(Csus)come
be fore.
You are my (Fmaj7)treas ure and (Csus)my
re ward.
Let noth ing (Fmaj7)ev er
(C)come
be fore
I seek You
(Am)first.
(I wan na seek You)
(Am)first.
I wan na seek You, I wan na seek You (Am)first.
I wan na keep You, I wan na keep You (Am)first.
(C)More than an y thing I want, I want You (Am)first,
(Am)first.
This page shows βFirstβ by Lauren Daigle in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build confidence with sustained, expressive playing in the key of C. Your left hand follows an oompah bass pattern β root note, then chord β so keep that motion steady and relaxed; think of it as a gentle rocking rather than a bounce. The chord set looks bigger than it is: F, Fmaj7, and F6 all share the same left-hand root, and Csus4 is just your C chord with one finger sliding up to F β practice that tiny shift until it feels automatic. Watch the G-to-Am transition especially; at 120 BPM it comes faster than you'd expect in a peaceful ballad. I'd suggest hands-separate first, looping the verse pattern in your left hand until it's effortless, then layering in the melody. Once both hands sync on that oompah groove, use light sustain pedal to connect the phrases without muddying them. This is the piece that will lock in your sense of how small chord variations β like Csus4 resolving back to C β add real emotional color with almost no extra effort.