I’m more than just an op tion, (E5)hey, hey, (F#5)hey.
Re fuse to be for got ten, (E5)hey, hey, (F#5)hey.
I took a chance with my heart, (E5)hey, hey, (F#5)hey, and I the feel it tak in’ o ver.
And I bet ter find your lov in’, I bet ter find your heart.
I bet ter find your lov in’, I bet ter find your heart.
I bet ter find your lov in’, I bet ter find your heart.
I (F#m)bet if I give (Bm7)all my love, then noth in’s gon na tear us a part.
I’m more than just a num ber, (E5)hey, hey, (F#5)hey.
I doubt you’ll find an oth er, (E5)hey, hey, (F#5)hey.
So ev ’ry sin gle sum mer, (E5)hey, hey, (F#5)hey, I be the one that you re mem ber.
And I bet ter find your lov in’, I bet ter find your heart.
I bet ter find your lov in’, I bet ter find your heart.
I bet ter find your lov in’, I bet ter find your heart.
I (F#m)bet if I give (Bm7)all my love, then noth in’s gon na tear us a part.
It’s more than just a mis sion, (E5)hey, hey,
Too man y (C#m7)times
I’ve been (Bm7)wrong.
I guess be ing (C#m7)right
takes too (Dmaj7)long.
I’m done wait in’, there’s (E)noth in’ left to (F#m)do (A)but give (Bm7)all I have to (C#m7)you.
And I bet ter find your lov in’,
I bet ter find your heart.
I bet ter find your lov in’.
I (F#m)bet if I give (Bm7)all my love, then noth in’s gon na tear us a part.
I (F#m)bet if I give (Bm7)all my love, then noth in’s gon na tear us a part.
This page shows “Find Your Love” by Drake in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of F# at 95 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with the key of F# — five sharps can feel intimidating, but the block bass pattern in your left hand keeps things grounded, so lean into that steady pulse and let it anchor your timing at 95 BPM. Your right hand will cycle through some rich chord shapes like Bm7, C#m7, and Dmaj7, so practice those voicings slowly in isolation before connecting them — the transition from Dmaj7 into E is where most students hesitate, because the hand has to reposition quickly. I'd suggest hands-separate work first, then loop just the verse progression at around 70 BPM until the chord changes feel automatic. Watch the power chords (F#pow, Epow, Apow) too; keep them crisp and rhythmically tight against the beat, not lazy. Once it clicks, this song will seriously solidify your minor seventh shapes and make sharp-heavy keys feel like home.