(CN.C.)I keep on fall in’ in
and (Em)out of love
with a (Em)you.
Some times I (Em)love you some times you make me (Em)blue.
Some times I feel (Em)good.
At times I feel (Em)used.
Lov ing you (Em)dar ling
makes me so con (Em)fused.
(Bm7)I keep on (Em)fall in’ in and (Bm7)out of (Em)love with a (Bm7)you.
I (Em)nev er loved some (Bm7)one the way that (Em)I love a (Bm7)you.
Oh, oh, (Em)I
nev er felt this a (Em)way.
How do you give me so much (Em)pleas ure and cause me so much (Em)pain?
Yeah, (Bm7)yeah.
Just when I (Em)think
I’m tak ing more than would a (Em)fool,
I start (Em)fall in’ back in love with (Em)you
(Bm7)I keep on (Em)fall in’ in and (Bm7)out of (Em)love with a (Bm7)you.
I (Em)nev er loved some (Bm7)one the way that (Em)I love a (Em)you.
(B)Oh ba by.
(Em)I, I, (Bm7)I, I’m (Em)fall
in’.
(Em)I, I, (Bm7)I, I’m (Em)fall
in’.
(Em)Fall
(Em)fall
(Em)fall.
(Bm7)I keep on (Em)fall in’ in and (Bm7)out of (Em)love with a (Bm7)you.
I (Em)nev er loved some (Bm7)one the way that (Em)I love a (Bm7)you.
I’m (Em)fall in’ in and (Bm7)out of (Em)love with a (Bm7)you.
I (Em)nev er loved some (Bm7)one the way that (Em)I love a (Bm7)you.
I’m (Em)fall in’ in and (Bm7)out of (Em)love with a (Bm7)you.
I (Em)nev er loved some (Bm7)one the way that (Em)I love a (Em)you.
(CN.C.)What?
This page shows “Fallin'” by Alicia Keys in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 135 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build your left-hand independence thanks to that Alberti bass pattern running underneath four expressive chords — Em, Bm7, C, and B7. At 135 BPM the Alberti figuration moves quickly, so start hands-separate at around 90 BPM and really lock in that broken-chord shape before layering in your right hand. The trickiest moment is the shift from C back to B7: your left hand has to reposition fast while your right hand sustains the melody, so loop just that two-bar transition until it feels automatic. Watch the Bm7-to-B7 change too — it's only one note of difference, but rushing it will blur the melancholic color that makes the whole song work. Use a light sustain pedal on chord changes to keep things smooth without muddying the bass, lifting cleanly each time the harmony moves. Once you can play the full progression at tempo with a steady Alberti pattern and confident chord switches, you'll have a real foundation for any R&B or soul ballad that asks your hands to do two different things at once.