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They say (F)some times you win some,
some (Gm)times you (C)lose some,
and right now,
right now I’m (C)los ing bad.
I’ve (F)stood on this stage night af ter night, re (C)mind ing the bro ken it ’ll be al right.
But right now,
oh, right now, (C)I just can’t.
It’s (C)eas y to sing when there’s (Dm)noth ing to bring me down.
But (C)what will I sing when I’m (Dm)held to the flame like I (Bb)am right now?
(F)I know You’re a ble and I know You can
(C)save through the fi re with Your might y hand, but (Dm)e ven if You don’t,
my (Bb)hope is You a lone.
(CN.C.)They say it (F)on ly takes a lit tle faith
to move a (C)moun tain.
Well, good thing;
a lit tle faith is (C)all I have right now.
But, (C)God, when You choose to leave (Dm)moun tains un mov a ble,
oh, (C)give me the strength to be (Dm)a ble to sing, “It is (Bb)well with my soul.” (F)I know You’re a ble and I know You can would (C)save through the fi re with Your might y hand, but (Dm)e ven if You don’t,
my (Bb)hope is You a lone.
(F)I know the sor row and I know the hurt would (C)all go a way if You’d just say the word, but (Dm)e ven if You don’t,
my (Bb)hope is You a lone.
lone.
You’ve been (Dm)faith ful, (Bb)You’ve been (F)good all of my days.
Je sus, (Dm)I will (Bb)cling to (F)You, come what may.
’Cause I know You’re a ble,
I know You care.
(F)I know You’re a ble and I know You can
(C)save through the fi re with Your might y hand, but (Dm)e ven if You don’t,
my (Bb)hope is You a lone.
(F)I know the sor row, I know the hurt would (C)all go a way if You’d just say the word, but (Dm)e ven if You don’t,
my (Bb)hope is You a lone.
I hope in (Dm)You a lone, ooh, (Bb)ooh.
It is (F)well
with my soul.
It is (Bb)well, it is (Csus)well (C)with my soul.
This page shows “Even If” by MercyMe in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 83 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get comfortable playing in B♭ major, where your hands need to feel at home on those B♭ and E♭ flats without hesitation. At 82 BPM the tempo is forgiving, so use that space to focus on smooth left-hand chord transitions — especially the move from Gm to Csus4, where your fingers need to reposition quickly before resolving to C. That sus4 landing is the emotional engine of the song, so don't rush it. Your left hand plays block chords throughout, which means evenness and voicing matter more than speed; press each chord cleanly rather than letting one finger lag behind. I'd suggest learning the verse progression hands-separate first, then layering hands together before tackling the chorus, where the dynamics swell and you'll want to lean into the keys with more weight. Loop the Gm–C–Dm–B♭ passage until it feels automatic. This song will genuinely build your confidence moving between minor and major shapes in a flat key — a skill that transfers to dozens of ballads down the road.