Say your prayers, lit (F5)tle (E5)one, don’t for get, my (F5)son, to in clude ev ’ry (G5)one.
I tuck you in, warm (F5)with (E5)in, keep you free from (F5)sin till the sand man he (G5)comes,
ah.
(B7)Sleep with (F#m)one eye o pen,
(B7)grip ping your (F#m)pil low tight.
(F#5)Ex (B5)it: (F#5)light,
en (B5)ter: (E5)night,
(F#5)take
my (E5)hand,
we’re (G5)off to (F#5)Nev er Nev (G5)er Land.
Some thing’s wrong, shut (F5)the (E5)light, heav y thoughts to (F5)night, and they aren’t of Snow (G5)White.
I Dreams of war, dreams (F5)of (E5)liars, dreams of dra gon’s (F5)fi and of things that will (G5)bite,
yeah.
(B7)Sleep with (F#m)one eye o pen,
(B7)grip ping your (F#m)pil low tight.
(F#5)Ex (B5)it: (F#5)light,
en (B5)ter: (E5)night,
(F#5)take
my (E5)hand,
we’re (G5)off to (F#5)Nev er Nev (G5)er Land.
Heh heh.
Hush lit tle (B7)ba by, (F#m)don’t say a word,
and nev er (B7)mind that (F#m)noise heard,
it’s just the (B7)beasts un (F#m)der your bed,
in your (B7)clos et, (F#m)in your head.
(F#5)Ex (B5)it: (F#5)light,
en (B5)ter: (E5)night,
(F#5)grain
of (E5)sand,
(F#5)ex (B5)it: (F#5)light,
en (B5)ter: (E5)night,
(F#5)take
my (E5)hand,
we’re (G5)off to (F#5)Nev er Nev (G5)er Land,
yeah.
Ha ha ha ha ha ha
oo!
Yeah, (E5)yeah!
(G5)Yo
(F#5)whoa!
This page shows “Enter Sandman” by Metallica in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 123 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for coordinating a walking bass line in your left hand against chunky power-chord hits in your right. At 123 BPM with six different power chords — Epow, Bpow, Fpow, F#pow, Apow, and Gpow — you'll need clean, quick hand shifts, so start hands-separate and at about 80 BPM until each part feels automatic. The trickiest transitions are Fpow to F#pow (just a half-step slide, but easy to overshoot) and the jump from Gpow up to B7 or A7 when the chorus opens up into fuller voicings. Keep your left wrist relaxed through the walking bass; tension there will slow you down and muddy the tone. Once both hands are steady, loop the verse-to-chorus transition until it's seamless — that's where most students stall. Resist the urge to pedal through everything; use short, rhythmic pedal dabs to keep the dramatic energy tight, not blurry. This is the piece that will lock in your power-chord confidence for good.