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And Oh, my (A)life
is chang ing ev ’ry it day
in ev ’ry pos si ble way.
And oh, my (A)dreams,
it’s nev er quite as ig seems,
im nev er quite as it seems.
I know I’ve felt like this be fore, but now I’m feel ing it e ven more
be cause it came from you.
And then I o pen up and see the per son fall ing it here is me,
a dif f’rent way to be.
(G)Ah,
la da (Csus2)ah,
la da ya,
la la (Csus2)ah,
la.
A to tal ly a maz ing mind, so un der stand ing and so kind;
you’re ev ’ry thing to me.
And Oh, my (A)life
is chang ing ev ’ry it day
in ev ’ry pos si ble way.
And oh, my (A)dreams,
it’s nev er quite as it seems,
’cause ev ’ry pos si ble way.
you’re a dream to me, dream to me.
Ah,
(A)da,
da da da, (B7)da,
la.
Ah,
(A)da,
da da da, (B7)da,
la.
This page shows “Dreams” by The Cranberries in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 126 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with a pedal bass pattern — your left hand will anchor on steady bass notes while your right hand floats through the chord changes above, which is exactly what gives the song its dreamy, peaceful feel. Start hands-separate at around 90 BPM so you can really lock in that left-hand pulse before layering the right hand on top. Pay close attention to the shift between B7 and the C and Csus2 shapes — those chromatic moves sit outside the key of E and can trip you up if you're not anticipating the hand position change. The Amaj7 voicing is a nice stretch too; keep your fingers close to the keys so you're not lunging. Once both hands feel natural, bring it up to 126 BPM gradually. This is the kind of piece that trains you to keep one hand on autopilot while the other stays expressive — a skill you'll use constantly from here on out.