As I (F)sit and (A)watch the (Dm7)snow
(G9)fall ing (Gm7)down,
I don’t (Bbm)miss you
at (Fmaj7)all.
I hear (F)chil dren (A)play ing, (Dm7)laugh (G7)ing
so (Gm7)loud;
I don’t (Bbm)think
of your (Fmaj7)smile.
So (Gm7)if (Am7)you (Bbm7)nev
(Bb7)er
(B)come
(E)to (Amaj9)me,
(Amaj7)you’ll (Bm7)stay (C#m7)a (Dm7)dis
(D7)tant
(G9)mem
o (Gm7)ry.
Out my (F)win dow, (A)I see (Dm7)lights
(G7)go ing (Gm7)dark;
your dark (Bbm)eyes
don’t haunt (Fmaj7)me.
And (Gm7)then (Am7)I (Bbm7)won
(Bb7)der
(B)who
(E)I (Amaj9)am
(Amaj7)with (Bm7)out (C#m7)the (Dm7)warm
(D7)touch
(G9)of
your (Gm7)hand.
And (Gm7)then (Am7)I (Bbm7)won
(Bb7)der
(B)who
(E)I (Amaj9)am
(Amaj7)with (Bm7)out (C#m7)the (Dm7)warm
(D7)touch
(G9)of
your
(Gm7)hand.
As I (F)sit and (A)watch the (Dm7)snow
(G7)fall ing (Gm7)down,
I don’t (Bbm)miss you
at (Fmaj7)all,
I don’t (Bbm)miss you
at (Fmaj7)all,
I don’t (Bbm)miss you
at (CN.C.)all.
This page shows “Don't Miss You At All” by Norah Jones in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 90 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a fantastic workout for your jazz chord vocabulary — with twenty different voicings including maj7s, m7s, and dominant 9ths, your left hand will get comfortable shifting between rich block shapes at a relaxed 90 BPM. Start hands-separate, focusing on your left hand alone until each chord change feels automatic; the trickiest transitions are between distantly related shapes like Amaj9 to Bbm7 or C#m7 to F6, where your fingers need to reset quickly without tension. Once those land cleanly, add your right hand melody and let the sad, unhurried mood guide your timing — resist the urge to rush through changes. Use a little sustain pedal to connect chords smoothly, but lift cleanly on each new harmony so nothing muddies. Loop any four-bar section that trips you up at half tempo before building back. This is the piece that'll make jazz voicings feel like second nature in your hands.