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(Bbm7)May be this de ci sion was a (Cm7)mis (Fm9)take.
You (Bbm7)prob ’bly don’t care what I have to (Cm7)say.
But (Bbm7)it’s been heav y on my mind for (Cm7)months (Fm9)now.
(Bbm7)Guess I’m try’n’ to clear some men tal (Fm)space.
(Bbm7)I would love to talk to you in (Cm7)per (Fm9)son,
(Bbm7)but I un der stand why that can’t (Cm7)be.
(Bbm7)I’ll leave you a lone for good, I (Cm7)prom (Fm9)ise
if (Bbm7)you an swer this one ques tion for (Fm)me.
I just (Bbm7)won
der
(Fm9)do you (Bbm7)ev
er
(Fm9)think of (Bbm7)me
an y (Cm7)more?
Do you?
(Bbm7)First off, let me say, “Con grat u (Cm7)la (Fm9)tions.”
You (Bbm7)Heard that you just had a ba by (Cm7)girl.
But (Bbm7)If she looks an y thing like her (Cm7)moth (Fm9)er,
(Bbm7)she’s the pret ti est thing in the (Fm)world.
(Bbm7)Swear that I’m not try’n’ to start no (Cm7)trou (Fm9)ble.
(Bbm7)Tell your fi an cé he can re (Cm7)lax.
(Bbm7)I’ll leave you a lone for good, I (Cm7)prom (Fm9)ise.
if (Bbm7)There’s a ques tion I just got to (Fm)ask:
I just (Bbm7)won
der
(Fm9)do you (Bbm7)ev
er
(Fm9)think of (Bbm7)me
an y (Cm7)more?
Do you?
I know what we had is (Dbmaj7)dead and gone.
Too man y times I made you (Fm)cry.
And I don’t mean to in ter (Dbmaj7)rupt your life,
I just won der, do I ev er cross your mind?
(I just (Bbm7)won
der
(Fm9)do you (Bbm7)ev
er
(Fm9)think of (Bbm7)me
an y (Cm7)more?
Do you?)
(I just (Bbm7)won
der
(Fm9)do you (Bbm7)ev
er
(Fm9)think of (Bbm7)me
an y (Cm7)more?
Do you?)
(I just
This page shows “Do You” by Ne-Yo in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 95 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for navigating minor seventh and extended chord shapes — your left hand holds block bass roots while your right hand voices chords like Fm9 and Bbm7 that sit close together on the keyboard, so accurate finger placement matters more than speed here. At 95 BPM the tempo is forgiving, but watch the transition from Gbmaj7 to Fm7: that whole-step drop catches people off guard because both shapes feel similar yet your hand needs to shift cleanly without smudging. Practice that two-chord move slowly, hands together, until it's automatic. I'd suggest looping the verse section hands-separate first — get your left hand's block pattern steady like a heartbeat, then layer the right hand on top. The Csus4 resolving into Cm7 is another spot to isolate; let your fourth finger lift precisely so the suspension actually breathes. Use light sustain pedal, releasing on each chord change to keep the voicings clear rather than muddy. This is the song that'll really solidify your comfort with minor extended chords in flat keys — once these shapes are under your fingers, a huge chunk of R&B harmony opens up for you.