Take me to heart
and I’ll al ways (E)love you,
and no (D)bod y
can make me do (A)wrong.
Take me for grant ed;
leav ing
love
un (E)sure
makes will pow er (D)weak
and temp ta tion (A)strong.
A wom an’s on ly hu man;
you should un der stand.
She’s not just a play thing;
she’s flesh and blood
just
like her man.
If you want a (D)“do
(A)right
(D)all
(A)day”
(B7)wom an,
(wom an,)
you got ta be a (Dmaj7)“do
(E7)right
(Dmaj7)all
(E7)night”
(A)man.
(Man.)
(C#m)Yeah,
(F#m)yeah.
They say that it’s a man’s
world,
but you can’t prove that by me.
And as long as we’re to geth er, ba by,
(E)show some re spect for
(D)me.
(E7)If you want a (D)“do
(A)right
(D)all
(A)day”
(B7)wom an,
(wom an,)
you got ta be a (Dmaj7)“do
(E7)right
(Dmaj7)all
(E7)night”
(A)man.
(Man.)
(A)man.
You got ta be a (A)“do
(E7)right
(Dmaj7)all
(E7)night”
(A)man.
This page shows “Do Right Woman Do Right Man” by Aretha Franklin in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 84 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a beautiful workout for your left hand — that walking bass pattern needs to stay smooth and even at 84 BPM, so practice it alone first until it feels almost automatic. Your right hand will navigate nine chords, and the trickiest transitions are between F#m7 and Dmaj7, then into B7 — those shapes shift across different positions quickly, so loop those changes slowly until your fingers find them without hesitation. Pay attention to the move from C#m down to A as well; it's easy to rush that moment in a ballad this tender. Use the sustain pedal gently, lifting cleanly on each chord change so the walking bass doesn't blur. Once both hands feel confident separately, bring them together at half tempo and gradually build up. This is the kind of song that will genuinely strengthen your ability to keep a steady, independent left hand underneath expressive right-hand chords — a skill you'll use in every ballad from here on out.