Got me to stay.
Said that you need me.
Starved, ’cause his words
don’t have a mean ing, no, they don’t,
at least (Eb9sus)not to me.
There’ll be a day
I’ll be more cre at ive;
a po et ic way
to say I’m not leav ing.
To the world,
not to
your (Eb)face.
Mm.
I’ll take my pride,
stand here for (Cm7)you.
Know I’m not blind,
just see ing it through.
You’d take (Ebsus)my life
just for the thrill.
I’ll take to (Fm)night
and die on this hill.
I (Dbm6)al
ways will.
I know that I (Eb)look
stub born, im pa tient.
But you wrote the (Eb)book,
I just took a page out to be loved,
to be loved and noth ing (Ab)more.
And you kept your (Eb)word.
Do you want a med (Eb)al?
The way that some (Cm7)one leaves this (Fm)world
is all just lev els to me now,
ah,
to me (Eb9sus)now.
I’ll take my pride,
stand here for (Cm7)you.
Know I’m not blind,
just see ing it through.
You’d take (Ebsus)my life
just for the thrill.
I’ll take to (Fm)night
and die on this hill.
I (Dbm6)al
ways (Fm)will.
I’ll be here the whole (E)night.
I’ll be here ’cause I (Ab)can.
Yeah, I know you don’t (Bb7)care.
I know (Bbm7)noth ing could mat ter.
God I (Ab)wish some thing mat tered to (Eb9sus)you.
I’ll take my (Dbmaj7)pride,
stand here for (Cm7)you.
Know I’m not blind,
just see ing it through.
You’d (Ebsus)take my (Dbmaj7)life,
just for the thrill,
but I’ll take to (Fm)night
and die on this hill.
I (Dbm6)al ways,
a
ways,
I al ways
will.
This page shows “Die On This Hill” by Sienna Spiro in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Db at 84 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in Db major, which means your hands will live mostly on black keys — that actually feels surprisingly comfortable once you settle into it, so don't let the five flats intimidate you. At 84 BPM you have room to breathe, but watch for syncopated rhythmic pushes in the right hand that land just before the beat; tap those rhythms on your knee before adding pitch. Your left hand will move through chord shapes rooted on Db, Ab, Bbm, and Gb, so practice those transitions hands-separate first until the jumps feel automatic, especially the reach from Bbm down to Gb. Use sustained pedal through each chord change but lift and re-press cleanly on every new bass note to avoid muddy harmonics. I'd suggest looping the chorus at half tempo until your fingers memorize the spacing, then gradually bring it up to speed. This is a fantastic piece for building confidence with flat-key chord voicings — once Db major feels like home under your hands, you'll find a whole family of pop songs suddenly within reach.