Come, Thou Fount of ev ’ry (B)bless ing, tune my (A)heart to (B)sing Thy (E)praise.
Streams of mer cy, nev er (B)ceas ing, call for (A)songs of (B)loud est (E)praise.
Teach me (A)some mel o dious (C#m7)son net, sung by (E)flam ing tongues a (F#m7)bove.
Praise the (E)mount, I’m fixed up (B)on it, mount of (A)Thy re (B)deem ing (E)love.
Here I raise my Eb e (B)ne zer; here by (A)Thy great (B)help I’ve (E)come.
And I hope, by Thy good (B)pleas ure, safe ly (A)to ar (B)rive at (E)home.
Je sus (A)sought me when a (C#m7)stran ger, wan d’ring (E)from the fold of (F#m7)God.
He, to (E)res cue me from (B)on it, mount of (A)Thy re (B)deem ing (E)love.
Here I (B)dan ger, in ter (A)posed His (B)pre cious (E)blood.
Oh, to grace how great a (B)debt or dai ly (A)I’m con strained to (E)be.
Let Thy good ness, like a (B)fet ter, bind my (A)wan d’ring heart to (E)Thee.
Prone to (A)wan der, Lord, I (C#m7)feel it, prone to (E)leave the God I (F#m7)love.
Here’s my (E)heart, Lord, take and (B)seal it, seal it (A)for Thy (B)courts a (E)(Seal it, take and (B)seal it, seal it (A)for Thy (Bsus)courts a (E)bove.
Take and (B)seal it, seal it (A)for Thy (Bsus)courts a (E)bove.)
Prone to (Asus2)wan der, Lord, I (C#m)feel it, prone to (E)leave the God I (F#m7)love.
Here’s my (E)heart, Lord, take and (B)seal it, seal it (A)for Thy courts a bove.
This page shows “Come, Thou Fount Of Every Blessing” by Jadon Lavik in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 84 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in E major with a gentle 84 BPM pulse, so you have room to breathe — use that space to focus on clean chord changes rather than rushing. Your left hand plays an octave bass pattern throughout, which means you'll need a relaxed, open hand position to land those octaves accurately without tension; practice the left hand alone first until the stretches feel natural. Your right hand navigates eight chords, and the trickiest moments come in the sus voicings — moving between B and Bsus4 or shifting from C♯m to C♯m7 requires only a single finger adjustment, so isolate those transitions and drill them slowly until they feel effortless. Use the sustain pedal to connect your octave bass to the chord above, lifting cleanly on each chord change to avoid muddy harmony. Once both hands are comfortable separately, combine them at around 60 BPM and gradually work up to tempo. This is the piece that will build your confidence with suspended chords and smooth voice leading — skills you'll use in almost every worship song from here on.