Did you ev er want it,
did you want it bad?
Oh, my (Cm)my,
it tears me a part.
Did you ev er fight it,
all of the pain?
So much (Cm)pow ing er
run ning through my veins.
Bleed ing, I’m bleed ing.
My cold lit tle heart.
Oh, (Cm)I,
I can’t stand my (F)self.
And I know, in my heart, in this cold heart,
I can live or I can die.
I be lieve, if I just try, you be lieve in you and I,
in you and I,
in you and I,
in you and I.
Did you ev er no tice
I’ve you been a shamed?
Oh, my (Cm)life,
I’ve been play ing games.
We could try to hide it,
it’s the the same.
I’ve been (Cm)los ing you
one day at a time.
Bleed ing, I’m bleed ing.
My cold lit tle heart.
Oh, (Cm)I,
I can’t stand my (F)self.
And I know, in my heart, in this cold heart,
I can live or I can die.
I be lieve, if I just try, you be lieve in you and I,
in you and I,
in you and I,
in you and I.
in you and I,
in you and I,
in you and I,
in you and I,
in you and I.
This page shows “Cold Little Heart” by Michael Kiwanuka in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Eb at 110 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to develop your left-hand independence with an oompah bass pattern — that means your left hand alternates between a low root note and a higher chord chunk, giving the ballad its gentle pulse at 110 BPM. Start hands-separate and get that left-hand pattern feeling automatic before you layer the right hand on top. Pay special attention to the Fsus4-to-F resolution and the shift between Ebmaj7 and Cm; those transitions can trip you up because the chord shapes sit close together and your fingers will want to rush. Slow the tempo to about 70 BPM and loop those two-chord moves until they're smooth, then gradually bring it back up. The Dm7 adds a bittersweet color that's easy to miss dynamically, so lean into it — play it a touch softer to let the sadness breathe. By the time this one feels comfortable, you'll have a real handle on moving through diatonic chords in E-flat with confidence, and that skill transfers to dozens of other songs in this key.