(A)This is not the (D)way (A)I dreamed the (D)sto ry would un (A)fold:
a (A)sta ble and a (D)bed of hay, ior a (A)night so clear and (E)cold.
The (A)on ly Child of (D)God be (A)got ten, (D)in my arms I (A)hold.
To (D)us is born Em (A)man
(E)u (A)el.
Ho ly (D)Child (E)of (A)hope, per fect (D)Child (E)of (A)peace,
(D)born to be the Lord (A)of life in (E)me.
(A)Oh, my (D)pre (E)cious (A)Son, Heav enβs (D)Child (E)has (F#m)come
to (D)make of me a (A)Child (Asus2)of (A)God.
(A)I am just a (D)peas (A)ant girl of (D)sim ple, hon est (A)means.
a (A)Who am I to (D)hold the Sav ior a (A)sent to set men (E)free,
to (A)know the Child that (D)I gave (A)life will (D)give His life for (A)me?
The (D)an gels sing, βEm (A)man
(E)u (A)el.β
Ho ly (D)Child (E)of (A)hope, per fect (D)Child (E)of (A)peace,
(D)born to be the Lord (A)of life in (E)me.
(A)Oh, my (D)pre (E)cious (A)Son, Heav enβs (D)Child (E)has (F#m)come
to (D)make of me a (A)Child (Asus2)of (A)God.
(A)God.
Oh, my pre (E)cious (A)Son, Heav enβs (D)Child (E)has (Dmaj7)come
to (D)make of me a (A)child (E)of (F#m)God.
Oh, to (D)make of me a (A)child
of (A)God.
This page shows βChild Of Godβ by Amy Grant in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 108 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement is a wonderful workout for navigating rich chord voicings at a gentle ballad tempo β don't let 108 BPM fool you into thinking it's easy, because thirteen distinct chords means your right hand will be reshaping constantly. Your left hand holds a pedal bass pattern, so lock that in first until it feels automatic, then layer in the right hand. Pay special attention to the transitions around F#m, F#m7, and Bm β those black-key shapes sit differently under your fingers than the open C-area chords like Fmaj7 and G, and rushing between them is where most stumbles happen. Loop any passage that shifts between sharp-heavy and natural-key chords until the motion feels smooth at half tempo before speeding up. The suspended chords (Asus2, Asus4) need clean resolution into A, so voice those deliberately. This is the piece that will genuinely build your confidence with major seventh and suspended shapes in a musical, peaceful context.