We’ll do it all,
ev ’ry thing
on our own.
We don’t need
I an y thing
or an y one.
If I lay here,
if I just (E)lay here,
would you lie (Dsus2)with me and just for get the world?
I don’t quite know
how to say
how I feel.
Those three words,
I said too much,
then not e nough.
If I lay here,
if I just (E)lay here,
would you lie (Dsus2)with me and just for get the world?
For get what we’re told
be fore we get (E)too old.
Show me a (Dsus2)gar den that’s burst ing in to life.
Let’s waste time
chas ing cars
a round our heads.
I need your grace
to re mind me
to find my own.
If I lay
All that I am,
all that I (E)ev er was
is here in your (Dsus2)per fect eyes, they’re all I can see.
I don’t know where,
con fused a bout (E)how as well.
Just know that these (Dsus2)things will nev er change for us at all.
If I lay here,
if I just (E)lay here,
would you lie (Dsus2)with me and just for get the world?
This page shows “Chasing Cars” by Snow Patrol in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 100 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with a small chord set — just three chords (A power, Dsus2, and E) cycling in a steady, peaceful pattern at 100 BPM. Your left hand plays block bass notes, so focus on landing each root cleanly and holding it with light sustain pedal; lift the pedal right as you change chords to keep things from getting muddy. The trickiest moment is the shift from Dsus2 back to A — your right hand needs to reposition quickly without rushing the beat, so loop that two-chord transition slowly until it feels automatic. Start hands-separate: get the left-hand roots steady like a heartbeat, then layer in the right-hand voicings. Once both hands sync comfortably, bring it up to tempo. The song's simplicity is its power — this is the piece that teaches you how much expression you can pull from just dynamics and timing alone.