I got (C#m7)too man y girls on hold for you to (F#m7)be so bold,
(C#m7)too man y on my team for you to (F#m7)act so mean.
You (C#m7)say you wan na go and have fun; well, you ain’t the (F#m7)on ly one.
If I ring, don’t let it ring too long, or I’m (F#m7)gone.
I got A (F#m7)li cia wait ing, A (G#m7)i sha wait ing, all the “ee sha’s” (G#7)wait ing on (C#m7)me.
So why you (F#m7)con tem plat ing, (G#m7)pla ya hat ing?
If (C#m)this is how it’s gon na (G#)be,
I’m (C#m7)call ing all my love lies, (call ing all my love lies,)
’cause I can’t get a hold of (C#m7)you.
(Ooh.) (Ooh.)
Since (C#m7)you ain’t think ing of me, (since you ain’t think ing of me,) oh, look what you’re mak ing me (C#m7)do.
(Ooh.) (Ooh.)
(C#m7)Hon ey pie, I’m far too fly to be on (F#m7)stand by.
(C#m7)Send ing me straight to voice mail; sug ar, (F#m7)what the hell?
(C#m7)Oh, you ought to be a shamed, play ing these (F#m7)child ish games.
I (C#m7)don’t get down like that; tell me where you’re (F#m7)at, hit me back.
I got A
(Amaj7)Pick up the phone, pick up the phone, ’cause all (G#m7)this (F#m7)lov in’
(F#m7)needs a (Emaj9)home,
oh (C#m)yeah.
Oh
no, (G#m7)look at what you start ed, (C#)ba by.
Now
I’m (G#m7)left here bro ken heart ed, (C#)ba by.
There’s a pain in my chest I can not ex plain.
I (Cmaj7)told my self I was n’t gon’ (Am9)cry;
not gon na cry, no, no.) then (F#m7)some bod y’s got ta come dry these eyes.
(Dry these eyes.)
(G#7#5)(Damn.
Damn.
Damn.) Ah, (C#m7)Call ing, call ing, call ing, call ing all my love lies, ’cause I can’t get a hold of (C#m7)you.
(Ooh.) (Ooh.)
Oh, since (C#m7)you ain’t think ing of (since me, ain’t think ing of me, ba by,) look what you’re mak ing me (C#m7)do.
(Ooh.) (Ooh.)
(Amaj7)Pick up the phone, pick up the phone, ’cause all (G#m7)this (F#m7)lov in’
(F#m7)needs a
home,
home.
This page shows “Calling All My Lovelies” by Bruno Mars in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C# at 80 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.