I walk a (Ab)lone ly road, the (Eb)on ly one that I (Bb)some have ev er known.
(Fm)mind.
Don’t know (Ab)where it goes, (Eb)but it’s home to me (Bb)where and I walk a lone.
I walk this emp ty street of (Eb)on the bou le vard (Bb)ev of bro ken dreams, (Fm)right.
where the (Ab)cit y sleeps and (Eb)I’m the on ly one and I walk a lone.
I walk a lone, I walk a lone.
I walk a lone, I walk (Ab)a...
My shad ow’s the on ly one that walks be side me.
My shal low heart’s the on ly thing that’s beat ing.
Some times I wish some one out there will find me.
’Til then I walk a lone.
Ah.
Ah.
Ah.
Ah.
Ah.
Ah.
Ah.
I’m walk ing (Ab)down the line the (Eb)that di vides me I (Bb)some where in my known.
(Fm)mind.
On the (Ab)bor der line (Eb)of the edge and me (Bb)where and I walk a lone.
I Read be tween the lines of (Eb)what’s f**ed up and vard (Bb)ev ery thing’s al dreams, (Fm)right.
Check my (Ab)vi tal signs and (Eb)know I’m still a live and I walk a lone.
I walk a lone, I walk a lone.
I walk a lone, I walk (Ab)a...
My shad ow’s the on ly one that walks be side me.
My shal low heart’s the on ly thing that’s beat ing.
Some times I wish some one out there will find me.
’Til then I walk a lone.
Ah.
Ah.
Ah.
Ah.
Ah.
Ah.
Ah.
I walk a lone, I walk (Ab)a...
I walk this (Ab)emp ty street (Eb)on the bou le vard of bro ken dreams, where the (Ab)cit y sleeps and (Eb)I’m the on ly one and I walk (Ab)a...
a lone.
This page shows “Boulevard Of Broken Dreams” by Green Day in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Db at 86 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in Db, so your hands will live mostly on black keys — that actually feels comfortable once you settle in, but give yourself a few minutes to get oriented if you're used to white-key songs. Your left hand plays a steady block bass pattern at 86 BPM, which is relaxed enough to keep solid time, but watch the transitions between the power chords (Abpow, Bbpow, Ebpow, Fpow) and the fuller shapes like Fm and Ebsus2 — that's where hesitation sneaks in. Practice those chord changes hands-separate first, especially the move into Epow, which briefly pulls you out of the home key and can catch your fingers off guard. Once each hand feels confident, combine them at half tempo and loop the verse section until the left-hand bass feels automatic. The most common stumble I see is rushing through chord switches and landing late; keep your eyes a beat or two ahead in the falling notes so you're always preparing the next shape. This is a fantastic song for building rock-solid power-chord vocabulary and training your hands to stay relaxed in a flat key — skills that'll carry you through dozens of pop-rock tunes after this one.