Wait in’,
watch in’ the clock, it’s four o ’clock it’s got to stop.
Tell him,
take no more, she prac tic es her speech.
As he (F6)o pens the door, (G)she rolls o ver, pre (F6)tends to sleep as he (G)looks her o ver.
She lies and says she’s in love with him, can’t find a (A)bet ter man.
She dreams in col (A)or, she dreams in red, can’t find a (A)bet ter man.
(Asus)Can’t find a (D)bet ter man,
can’t find a (A)bet ter man.
Oh.
Talk in’
to her self, there’s no one else who needs to know, she tells her self,
oh.
Mem ’ries back when she was bold and strong and wait ing for the (F6)world to
(G)come a long.
(F6)Swears she knew it, now she (G)swears he’s gone.
She lies and says she’s in (G)love with him, can’t find a (A)bet ter man.
She dreams in col (A)or, she (G)dreams in red, can’t find a (A)bet ter man.
She lies and says she still (G)loves him,
can’t find a (A)bet ter man.
She dreams in col (A)or, she (G)dreams in red, can’t find a (A)bet ter man.
Can't find a (D)bet ter man,
(Dsus)can’t find a (A)bet ter man.
She loved him,
yeah.
She don’t want to leave this way.
She feeds him,
yeah.
That’s why she’ll be (A)back a gain.
Can’t find a bet ter man.
(Can’t find a bet ter man.) Can’t find a bet ter man.
(Can’t find a bet ter man.) Can’t find a bet ter man.
(Can’t find a bet ter man.) Can’t find a (A)bet ter
(D)man.
This page shows “Better Man” by Pearl Jam in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 124 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for your sus4 voicings — you'll move between Dsus4, Asus4, and Gsus4 constantly, so get comfortable lifting and replacing that one finger while keeping the rest of the chord planted. Your left hand holds a pedal bass pattern in D for long stretches, which sounds simple but demands steady, even timing at 124 BPM without rushing. Start hands-separate: lock in that left-hand pedal until it feels automatic, then layer the right hand on top. The trickiest transitions are the jumps to F6 and E, which break the comfortable D-G-A neighborhood — isolate those two bars and loop them slowly until the reach feels natural. Watch your dynamics too; the sad, ballad-like feel depends on playing softer in the verses and letting the choruses open up, not hammering everything equally. This is the piece that will make sus4 resolving to major chords feel like second nature in your hands.