I don’t care what they think a bout (Fm7)me, and
I don’t care what they say.
I don’t care what they think if you’re (Fm7)leav ing, I’m gon na beg you to stay.
I don’t care if they start to a (Fm7)void me;
I don’t care what they do.
I don’t care a bout an y thing (Fm7)else but I’m gon na beg you to stay.
(Ebmaj7)be ing with you, be ing with you.
(Ebmaj7)Hon ey, don’t (Cm7)go;
don’t leave this (Cm7)scene;
(Ebmaj7)be (Abmaj7)out of the (Fm7)pic ture, (Abmaj7)and off of the (Fm7)screen.
(Ebmaj7)Don’t let them say that like (Ebmaj7)we told you so; do they (Abmaj7)tell me you’ll (Fm7)love me (Abmaj7)and then let me (Fm7)go.
I heard the warn ing voice from (Cm7)friends ly, and my ly re la tions;
they tell me all a bout your (Bb)heart break rep u ta tion.
tion.
I don’t care what they think a bout (Fm7)me, and
I don’t care what they say.
I don’t care what they think if you’re (Fm7)leav ing, I’m gon na beg you to stay.
I don’t care if they start to a (Fm7)void me;
I don’t care what they do.
I don’t care a bout an y thing (Fm7)else but I’m gon na beg you to stay.
(Ebmaj7)be ing with you, be ing (Cm7)with you, be ing with you;
Be ing with you.
Be ing with you.
This page shows “Being With You” by Smokey Robinson in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 95 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get comfortable with major seventh and minor seventh chord shapes in the key of Ab — your left hand holds block bass notes while your right hand voices chords like Abmaj7, Ebmaj7, Cm7, and Fm7, so you'll build real fluency moving between those jazzy shapes. At 95 BPM it's gentle enough to think ahead, but watch the transition from Gm or Gm7 into Abmaj7 — that jump catches people off guard, so isolate it and loop it slowly until the hand shift feels automatic. Start hands-separate: lock in the left-hand bass pattern first since it's steady blocks, then layer in the right-hand voicings. Once you combine them, resist the urge to rush through chord changes; sit in each shape and let the ballad breathe. This is the song that'll make seventh chords feel like home under your fingers.