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(Db)A (Ebsus)cross the o cean, a cross the sea,
start ing to for (Fm7)get the way you look at me, now.
O ver the moun tains, a cross the sky,
need to see your (Fm7)face, and need to look in your eyes.
Through the storm and
through the clouds,
bumps in the road and up side down, now.
I know it’s hard, babe, to sleep at night.
Don’t you wor ry,
’cause (Db)ev ’ry thing’s gon na be al right,
(Db)be al right.
Through the sor row
and the fights, lights, don’t you wor ry,
’cause (Db)ev ’ry thing’s gon na be al right,
(Db)be al right.
(Ebsus)All a lone
in my room,
wait ing for your (Fm7)phone call to come soon.
And for you, oh,
I would (Eb)walk a thou sand miles to be in your arms hold ing my heart.
Oh, I,
(Bbm7)You know that I care for you.
(Fm7)I’ll al ways be there for you.
I (Ab)prom ise I’ll just stay right here.
(Bbm7)I know that you want me too.
(Fm7)Ba by, we can make it through (Bbm)an y thing,
’cause (Db)ev ’ry thing’s gon (Eb9sus)na be al right,
(Db)be al right.
(Ebsus)Through the sor row
and the fights,
don’t you wor ry,
’cause (Db)ev ’ry thing’s gon na be al right,
(Db)be al right.
(Ebsus)Through the sor row
and the fights,
don’t you wor ry,
’cause (Db)ev ’ry thing’s gon na be al right, ry.
(Db)Ev ’ry thing’s gon na be al right.
This page shows “Be Alright” by Justin Bieber in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Db at 108 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for getting comfortable in the key of Db — five flats means your hands will live mostly on the black keys, so lean into that and let your fingers settle on them naturally rather than treating them as obstacles. Your left hand drives an oompah bass pattern (root-fifth alternation under the chord), and keeping that steady and even at 108 BPM is your first priority — practice it alone until it feels automatic. The chord set includes some lovely extensions like Eb9 and Bbm7; watch the transition from Ebsus4 to Eb9 especially, because the sus4 resolve can trip you up if you haven't memorized the finger shift. I'd suggest looping the chorus hands-separate at around 80 BPM before bringing them together. Once this clicks, you'll have real confidence navigating extended chords in flat keys — that's a skill that transfers everywhere.