Oh, (Eb)hush, my dear, it’s been a dif fi cult year and (Cm)ter rors don’t prey on in no cent vic tims.
Trust me, dar ling.
Trust me, dar ling.
It’s been a love less year.
I’m a man of three fears: in (Cm)teg ri ty, faith and croc o dile tears.
Trust me, dar ling.
Trust me, dar ling.
So, look me in the (Cm)eyes,
tell me what you (Ab)see.
Per fect par a (Eb)dise,
tear ing at the (Bb)seams.
I wish I could es (Cm)cape it.
I don’t wan na (Ab)fake it.
Wish I could e (Eb)rase it, make your heart be (CN.C.)lieve, but I’m a bad li ar,
bad li ar.
Now you know,
now you know.
I’m a bad li ar,
bad li ar.
Now you know,
you’re free to go.
Did (Eb)all my dreams nev er mean one thing?
Does (Cm)hap pi ness lie in a dia mond ring?
Oh, I’ve been ask ing for, oh, I’ve been ask ing for prob (Eb)lems, prob lems, prob lems.
I wage my war on the world in side.
I (Cm)take my gun to the en e my’s side.
Oh, I’ve been ask ing for, oh, I’ve been ask ing for prob (Eb)lems, prob lems, prob lems.
So, look me in the
I can’t breathe, I can’t be, I can’t be what you want me to be.
Be lieve me this one time,
be lieve me.
I’m a bad li ar,
bad li ar.
Now you know,
now you know.
I’m a bad li ar,
bad li ar.
Now you know,
you’re free to go.
(Cm)Oh,
oh,
oh,
oh,
oh.
Please be lieve me,
please be lieve me.
This page shows “Bad Liar” by Imagine Dragons in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 90 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build comfort with left-hand pedal bass, meaning your left hand will anchor on a repeated low note while your right hand moves through the chord changes — it trains independence between your hands at a manageable 90 BPM. The six chords sit nicely in and around A-flat major, but watch the G7 to Cm transition: that G natural will feel unexpected under your fingers if you're coasting on the A-flat scale shape, so isolate that move and loop it slowly until the reach feels automatic. Start hands-separate, getting your right hand confident with the chord shapes before layering in the steady left-hand pulse. The upbeat pop rhythm can tempt you to rush, especially coming out of held chords into quicker changes around Bb and Eb — use a slower tempo at first and only speed up when it feels easy, not just possible. This is the piece that'll lock in your pedal-bass coordination for every pop song that follows.