Loading song
Fetching song
Ooh.
(B)Ev ’ry time you come a round, you know I can’t say no.
(B)Ev ’ry time the sun goes down, I let you take con trol.
It (B)I can feel the par a dise be fore my world im plodes.
And to (B)night had some how to won der ful.
My bad hab its lead to (B)late nights, end ing a lone.
Con ver sa tions with a (G)stran ger I bare ly know.
Swear ing this will be the (B)last but it prob a bly won’t.
I got noth ing left to (E)lose, or use, or (G)do.
My bad hab its lead to (B)wide eyes, stare in to space, and I know I lose con (G)trol of the things that I say.
Yeah, I was look ing for a (B)way out; now I can’t es cape.
Noth ing hap pens af ter (E)two.
It’s true, it’s (G)true, my bad hab its lead to (B)you.
Ooh.
My bad hab its lead to (B)you.
Ooh.
My bad hab its lead to you.
(B)We
took the long way ’round
and (B)burned
’til the fun ran out.
Now, my bad hab its lead to (B)late nights, end ing a lone.
Con ver sa tions with a (G)stran ger I bare ly know.
Swear ing this will be the (B)last, but it prob a bly won’t.
I got noth ing left to (E)lose, or use, or do.
My bad hab its lead to My bad hab its lead to you.
This page shows “Bad Habits” by Ed Sheeran in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 125 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for syncopated right-hand melody over steady left-hand chords in the key of D. At 125 BPM, the pulse feels driving but manageable — your real challenge is the off-beat phrasing in the melody, which lands between beats more often than on them. Start hands-separate and slow the tempo to around 80 BPM so you can internalize where those syncopated notes actually fall. Your left hand will cycle through a repeating chord pattern, so once you've nailed the shapes and transitions — particularly moving cleanly between B minor and F-sharp minor — lock that in as muscle memory before layering the right hand on top. When you combine hands, the tendency is to rush the melody to "catch up" with the chords; resist that by counting eighth notes out loud. A light touch on the sustain pedal, lifted at each chord change, will keep things clean without sounding dry. This is the song that'll genuinely solidify your comfort with syncopation against a steady bass — a skill you'll use constantly in pop piano.