(E5)Back in black, I hit the sack, I’ve been too (CN.C.)long, I’m glad to be back.
Yes, I’m let loose from the noose that’s (CN.C.)kept me hang in’ a bout.
I keep (E5)look in’ at the sky (D5)’cause it’s get tin’ me high.
For get the (CN.C.)hearse ’cause I’ll nev er die.
I got nine lives, cat’s eyes, a bus in’ ev ’ry (CN.C.)one of them and run nin’ wild.
’Cause I’m back,
(A5)yes, I’m back.
(A5)Well, I’m back,
yes, (A5)I’m (G5)back.
(G5)Well, I’m back,
(A5)back.
Well, (B5)I’m (G)back in black,
yes, I’m (D)back in black.
Oh!
(E5)Back in black, I hit the sack, I’ve been too (CN.C.)long, I’m glad to be back.
Yes, I’m let loose from the noose that’s (CN.C.)kept me hang in’ a bout.
I keep (E5)look in’ at the sky (D5)’cause it’s get tin’ me high.
For get the (CN.C.)hearse ’cause I’ll nev er die.
I got nine lives, cat’s eyes, a bus in’ ev ’ry (CN.C.)one of them and run nin’ wild.
’Cause I’m back,
(A5)yes, I’m back.
(A5)Well, I’m back,
yes, (A5)I’m (G5)back.
(G5)Well, I’m back,
(A5)back.
Well, (B5)I’m (G)back in black,
yes, I’m (D)back in black.
Oh!
Well, (A5)I’m
Well, I’m (A5)back,
(A5)back.
Well, (B5)I’m (G5)back,
(G5)back,
back,
(A5)back.
Well, (B5)I’m (G)back in black,
yes, I’m (D)back in black.
I wan na say it!
This page shows “Back In Black” by AC/DC in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 92 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with power chords and driving rock rhythm in the key of E. Your left hand carries an octave bass pattern throughout, so get comfortable stretching that octave shape and landing it cleanly before you add the right hand — practice that left hand alone at around 70 BPM until it feels automatic. Your right hand moves through nine chord shapes including several power chords like Epow, Bpow, and Dpow, and the trickiest transitions are the quick shifts between G and D shapes, especially when they land on off-beats. Watch your timing carefully there — it's tempting to rush those changes, so loop that section slowly until the syncopation sits in your hands, not just your head. At 92 BPM the tempo is moderate but the energy needs to stay relentless, so keep your touch punchy and consistent rather than heavy. Once both hands lock in together, you'll feel that pocket click into place. This is the song that'll really solidify your power-chord vocabulary and teach you how steady rhythm drives a rock groove.