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A zi zam.
(B)Meet me on the floor to night.
(B)Show me how to move like the (E)wa ter.
In be tween the danc ing lights.
Be mine, be (B)mine, a zi zam.
I wan na be no where but here with you (E)now.
I wan na be (B)one in this space.
I wan na be (B)tan gled and wrapped in your (E)cloud.
I wan na be (B)close to your face.
Well, to (E)mor row can wait, los ing (B)time in this place.
Till the (E)sun is a wake, be like a (B)mag net on me.
I don’t (E)care what they say, we can (B)do it our way.
And if (E)love’s just a game, come and play.
A zi zam.
A zi zam.
I wan na get lost in your o cean and (E)drown.
I wan na be (B)care less and free.
I wan na live (B)here with the mo ment we (E)found.
I wan na be (B)all that you see.
Well, to (E)mor row can wait, los ing (B)time in this place.
Till the (E)sun is a wake, be like a (B)mag net on me.
I don’t (E)care what they say, we can (B)do it our way.
And if (E)love’s just a game, come and play.
A zi zam.
(B)Meet me on the floor to night.
(B)Show me how to move like the (E)wa ter.
In be tween the danc ing lights.
Be mine, be (B)mine, a zi zam.
A zi zam.
This page shows “Azizam” by Ed Sheeran in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 189 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in the key of E, which means your right hand needs to be comfortable navigating four sharps — pay special attention to those F♯ and G♯ fingerings so they feel automatic, not like obstacles. At 189 BPM the tempo moves briskly, so start at roughly half speed and lock in your left-hand chord shapes before you even think about bringing hands together. The left hand will cycle through familiar pop voicings, but transitions involving B and C♯m can catch you off guard if your thumb isn't repositioning early — anticipate each chord change a beat ahead. Once hands are separate and steady, loop the chorus at increasing tempos until the syncopated rhythmic pushes in the melody line feel natural rather than rushed. A common stumble is tensing up through faster passages; keep your wrists loose and your fingers close to the keys. This is a fantastic piece for building confidence with sharp-heavy keys at tempo — once E major feels like home, you'll unlock a huge chunk of the pop repertoire.