Right at home
with per fect tim ing.
A face that knows
her per fect light ing.
’Cause time will show
that you should try it,
those A mer i can girls you spend your life with.
“I’ve (CN.C.)known you for ag (G)es,” it’s all that I’ve heard.
My friends are in love with A mer i can girls.
I’ve seen it in stag (G)es all o ver the world.
My friends are in love with A mer i can girls.
“I’ve known you for (G)ag es,” it’s all that I’ve heard.
My friends are in (D)love with A mer i can girls.
(A (Bm)mer i can girls.)
Her sweet eyes,
your temp ta tions.
Don’t de ny
her frus tra tions.
Just spend your life
with those A mer i can girls.
“I’ve known you for ag “I’ve known you for ag (G)es.”
A mer i can girls, A mer i can girls.
A mer i can girls all o ver the world.
“I’ve known you for ag (G)es,” it’s all that I’ve heard.
My friends are in love with A mer i can girls.
I’ve seen it in stag (G)es all o ver the world.
My friends are in love with A mer i can girls, A mer i can girls, A mer i can girls, A mer i can girls, A mer i can girls.
This page shows “American Girls” by Harry Styles in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for your right hand's ability to lock into a steady eighth-note rhythm while your left hand moves through common pop chord shapes rooted in D major — expect a lot of D, A, Bm, and G voicings, so get comfortable with those transitions first. At 120 BPM the tempo is brisk enough that any hesitation between chords will stick out, so I'd suggest starting hands-separate at around 80 BPM and really nailing the left-hand chord changes before you layer the melody on top. Watch out for the syncopated pushes in the chorus — your right hand will want to land notes just before the beat, and if you're not feeling that groove internally you'll rush or drag. A good trick is to tap the rhythm on your knee before you play it on keys. Once the chorus clicks, loop it a dozen times and gradually bump the tempo up. This is the kind of song that genuinely cements your confidence with I–V–vi–IV progressions, so the muscle memory you build here will pay off in dozens of other pop tunes.