(G)Love, (D)love,
(Em)love.
(G)Love, (D)love, (Em)love.
(D7)Love, (G)love, (D)love.
There’s noth ing you can do that can’t be done.
Noth ing you can sing that can’t be sung.
Noth ing you can (G)say but you can learn how to play the game.
(D7)time.
It’s (D7)eas y.
There’s noth ing you can make that can’t be made.
No one you can save that can’t be saved.
Noth ing you can (G)do but you can learn how to be you in (D7)time.
It’s (D7)eas y.
All you (A7sus)need is love,
all you (A7sus)need is love.
All you (B7)need is love,
love.
Love is all you need.
Love,
(D)love,
(Em)love.
(G)Love,
(D)love,
(Em)love.
(D)Love,
(G)love,
(D7)love.
All you (A7sus)need is love,
all you (A7sus)need is love.
All you (B7)need is love,
love.
Love is all you need.
All you (A7sus)need is love.
All to geth er now.
All you (A7sus)need is love.
Ev ’ry bod y.
All you (B7)need is love,
love.
Love is all you need, (D)love is all you need.
is all you Love is all you (Love is all you need.) is all you need.
This page shows “All You Need Is Love” by The Beatles in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 100 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to level up your chord vocabulary — ten chords is a lot for one song, and several of them are close relatives, so your right hand will practice making small, efficient shape changes rather than big jumps. Pay special attention to the D-family cluster: D, D7, D9, and Dsus4 often differ by just one finger moving one step, so isolate those transitions slowly until the shifts feel automatic. Your left hand has a walking bass line that needs to stay steady and relaxed at 100 BPM — if it rushes, the whole song loses its easy, confident feel. I'd suggest learning hands separately first, getting the bass pattern smooth on its own before layering chords on top. The move from B7 to Em can catch people off guard, so loop that bar a few times until your fingers know the route. Once it clicks, this song will genuinely cement your ability to handle dominant-seventh shapes and quick chord substitutions — skills that transfer to dozens of other pieces.