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I (C5)walked through the door with you, the air was cold,
(Am)Some thin’ ’bout it felt like home some how.
And I left my scarf there at your (G5)sis ter’s house and you’ve still got it in your drawer e ven now.
Oh, your (C)sweet dis on po si tion and my (G)wide eyed turn gaze, red.
You used to be we’re (Am)sing in’ in the car, get tin’ lost (F)twin up state.
Your (C)Au tumn leaves in’ fall in’ down like on the (G)piec es in to place and I (Am)tell can pic ture it af ter all (F)fu these days.
me.
And I (C)know it’s long gone and that was (G)mag ic’s not here could no more and I (Am)might be o kay, long but I’m not to for get fine at all.
ed to.
’Cause (C)there we are a gain on that (G)lit tle town street.
night.
You (Am)al most ran the red en ’cause you were (F)look in’ o ver at me.
Wind in my hair, I was there, I re mem (G)ber it all too well.
Pho to (C)al bum on the coun ter, and your (G)cheeks were turn in’ red.
You used to be a (Am)lit tle kid with glass es in a (F)twin size bed.
Your (C)moth er’s tell in’ sto ries ’bout you on the (G)tee es ball to team.
and You (Am)tell me ’bout your past,
think in’ your (F)fu ture was me.
And I (C)know it’s long gone and there was (G)noth in’ else I could do.
And I for (Am)get a bout you long e nough not to for get why I need ed to.
’Cause (C)there we are a gain in the (G)mid dle of the night.
We’re (Am)danc in’ ’round the kitch en in the re (F)frig er a tor light.
me.
Wind Down the stairs, I was there I re mem (G)ber it all too well.
Pho to
yeah.
May be we got (C)lost in trans la tion, may be I (G)asked for too much.
But may be this (Am)thing was a mas ter piece till you (F)tore it all up, run nin’ scared, I was there, I re mem (G)ber it all too
well.
And you (C)call me up a gain just to (G)break me like a pro mise.
So (Am)cas ual ly cruel in the name (F)of be in’ hon est.
I’m a crum (C)pled up piece of pa per ly (G)in’ here ’cause I re mem ber it all,
all, all
too well.
(C)Time won’t fly, it’s like I’m par a lyzed by it.
I’d like to (Am)be my old self a gain, but I’m (F)still try’n’ to find it af ter (C)plaid shirt days and nights when you (G)made me your own.
Now you (Am)mail back my things and I (F)walk home a lone.
But you (C)keep my old scarf from that (G)ver y first week ’cause it re (Am)minds you of in no cence and (F)smells like me.
You can’t get (C)rid of it
’cause you re (G)mem ber it all too well,
(F)yeah.
’Cause (C)there we are a gain when I (G)loved you so
(Am)back be fore you lost the one real (F)thing you’ve ev er known.
It was rare, I was there, I re mem (G)ber it all too well.
Wind in my hair, you were there, you re mem (G)ber it all.
Down the stairs, you were there, ’cause you re (F)mem ber it all.
It was rare, I was there, I re mem (G)ber it all too well.
This page shows “All Too Well” by Taylor Swift in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 100 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in C major at a comfortable 100 BPM, but don't let that fool you — the melancholic feel depends on your left hand nailing those octave bass patterns with steady, even timing, so practice that hand alone first until the reach feels relaxed and automatic. Your right hand cycles through C, F, Am, and G shapes with a few power chords mixed in, and the trickiest transition is moving from F up to G7, where you need to land that extra note cleanly without hesitating. I'd suggest looping the F–G7–C passage at about 70 BPM until your fingers find those positions without looking, then gradually bring it up to tempo. Watch your dynamics, too — it's tempting to play everything at one volume, but pulling back during the verses and leaning into the chorus is what makes this sound like music instead of an exercise. This is really the song that will lock in your I–V–vi–IV confidence across an entire form, and once you own that, half of pop piano opens up for you.