(A)Al le (D)lu (A)ia,
Al le (D)lu ia,
for the (E)Lord God Al (D)might y (A)reigns.
(A)Al le (D)lu (A)ia,
Al le (D)lu ia,
for the (E)Lord God Al (D)might y (A)reigns.
(A)Al le (D)lu ia.
Ho
(A)ly,
(E)ho (A)ly
are You, (D)Lord (A)God Al (F#m)might (Esus)y.
(Bm)Wor thy (A)is the (D)Lamb,
(Bm)wor thy (A)is the (D)Lamb.
You are (D)ho (A)ly,
(E)ho (A)ly
are You, (D)Lord (A)God Al (F#m)might (Esus)y.
(Bm)Wor thy (A)is the (D)Lamb,
(Bm)wor thy (A)is the (D)Lamb.
A
(A)men.
(A)Al le (D)lu (A)ia,
Al le (D)lu ia,
for the (E)Lord God Al (D)might y (A)reigns.
(A)Al le (D)lu (A)ia,
Al le (D)lu ia,
for the (E)Lord God Al (D)might y (A)reigns.
(A)Al le (D)lu ia.
Ho
(A)ly,
(E)ho (A)ly
are You, (D)Lord (A)God Al (F#m)might (Esus)y.
(Bm)Wor thy (A)is the (D)Lamb,
(Bm)wor thy (A)is the (D)Lamb.
You are (D)ho (A)ly,
(E)ho (A)ly
are You, (D)Lord (A)God Al (F#m)might (Esus)y.
(Bm)Wor thy (A)is the (D)Lamb,
(Bm)wor thy (A)is the (D)Lamb.
A
(A)men.
(A)men.
This page shows βAgnus Deiβ by Michael W. Smith in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 90 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement sits beautifully in A major at a gentle 90 BPM, so your biggest challenge isn't speed β it's sustaining smooth, connected chord transitions while keeping the peaceful mood intact. Your left hand will cycle through a lot of suspended chords (Asus2, Asus4, Esus4, Dsus2), which means you'll often be lifting or adding just one finger while holding the rest of the shape steady β practice those micro-movements slowly until they feel effortless. The trickiest transitions tend to be moving between D and Bm7 and then landing cleanly on F#m7; loop those two-bar passages hands-separate before combining. Use the sustain pedal generously but change it with each chord β muddy pedaling will ruin the transparency this song needs. Start at around 60 BPM to lock in your chord shapes, then gradually bring it up to tempo. This is a fantastic piece for training your hands to voice suspended chords cleanly, a skill that transfers to nearly every worship and ballad arrangement you'll encounter going forward.