Well, I (A)nev er thought I’d (D)make it here in Hol ly wood.
I (A)nev er thought I’d and (D)ev er want to stay, dream.
But (A)what I seem to touch rock and these days an has turned to gold.
Oh, you know the (D)What I seem in’ to want, well you know I’ll find a way.
For me,
it’s the on ly life
that I’ve (A)ev er known.
And (D)love is on ly one
fine star a (A)way.
(D)E ven though the liv in’ is some times laced with lies,
it’s all (D)right.
The feel in’ re mains e ven (E)af ter the glit ter fades.
The (A)lone li ness a (D)one night stand is hard to take.
We (A)all chase some thin’, and (D)may be this is a dream.
The (A)time less face of a rock and roll wom an while her heart breaks.
Oh, you know the (D)dream keeps com in’ e ven you for get to feel.
a way.
For me,
it’s the on ly life
that I’ve (A)ev er known.
And (D)love is on ly one
fine star a (A)way.
(D)E ven though the liv in’ is some times laced with lies,
it’s all (D)right.
The feel in’ re mains e ven (E)af ter the glit ter fades.
The
Oh, you know the (D)feel in’ re mains e ven (E)af ter the glit ter fades.
Oh, the (D)feel in’ re mains
e ven (E)af
ter the glit ter
fades,
oh,
oh.
This page shows “After The Glitter Fades” by Stevie Nicks in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 80 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to develop your walking bass — your left hand will move stepwise between chord roots, which feels easy at first but gets tricky the moment your right hand joins in. At 80 BPM you have breathing room, so use it: start hands-separate and really lock in that left-hand pattern until it feels automatic. You're only working with A, D, E, and E7, and the smoothest move here is E to E7 — you're literally just lifting one finger — so don't overthink it. The real stumbling point is the D chord transition, where your left hand has to walk a wider interval while your right hand reshapes; loop that two-bar spot slowly until it's boring. Keep your sustain pedal light, just a half-pedal touch to warm the tone without blurring the bass line. Once this clicks, you'll have a walking bass foundation you can carry into dozens of other ballads.